Dutch artist Aalt van de Glind's work (Culemborg, 1990) revolves around autobiography and inspects the gently spectacular image of his everyday life. His collection of photos forms a visual diary in which such themes as intimacy, relationships and the passage of time play their part.
Van de Glind's process is an act of looking back. He collects his images in an archive which gradually expands over long periods of time. Taking his archive as a point of departure allows for a retrospective study from which he draws divergent narratives, each lending to a different form of presentation.
All physical works are hand-printed in the darkroom.